Instructor: Bert Yarborough
Monday - Wednesday
November 4 - 6
9am - 1pm
3 Sessions, at Edgewood Farm

The directness and immediacy of monotype printing is an excellent vehicle for artists desiring to expand the possibilities of image making.  Participants will be introduced to a variety of monotype printing techniques, such as watercolor, trace monotypes, stencils and ghost printing.  Emphasis will be placed on experimenting with these techniques and others, while applying traditional drawing, painting and collage processes to the prints. The main objective will be the investigation of process, change and the development of each person’s unique visual language.
This workshop is open to all levels of experience.

Bert Yarborough has a degree in Architecture from Clemson University and an MA and MFA in Photography from the University of Iowa.  He held the Sonia C. Davidow ’56 Endowed Chair in the Fine and Performing Arts at Colby-Sawyer College, New London, NH, where he also served as the Director of the William and Sonja Carlson Davidow ’56 and Marian Graves Mugar Art Galleries and taught Drawing and Painting.  A former two-year Resident Fellow at the Fine Arts Work Center in Provincetown, MA, he served as Visual Arts Program Coordinator for four years and as Chairman of the Visual Committee and member of the Board of Trustees. He has received two NH State Arts Council Grants in Painting, an NEA Fellowship in Sculpture, a Fulbright Fellowship to Nigeria, also in Sculpture and most recently, an Adolph and Esther Gottlieb Individual Artist Support Grant.He is  currently represented by the Berta Walker Gallery, Provincetown, MA and resides in Truro, MA.